(Source: sirobtep, via aubreylstallard)

stuffandsonenterprises:




Bart Baele

stuffandsonenterprises:




Bart Baele

(via aubreylstallard)

cruello:

I HATE LOVE, 1950
 Stanley Kubrick
via

cruello:

I HATE LOVE, 1950

Stanley Kubrick

via

(via vintague)

jesuisperdu:

lorna simpson

jesuisperdu:

lorna simpson

(Source: delisandwich, via aubreylstallard)

(via aubreylstallard)

(Source: matthiasheiderich, via aubreylstallard)

vintague:

same

vintague:

same

oxane:

archer by bethfromabove
cargocollective.com/bethhoeckel

oxane:

archer by bethfromabove

cargocollective.com/bethhoeckel

(via vintague)

mirbeau:

Ian Dodd has described his work as ‘exploring the magic and the real, the human, erotic and eccentric’. He is a Sydney-based photographer whose work has become iconic, especially ‘Wet hair’, which has been reproduced extensively and was regarded as one of the most important images of Australian photography from the 1970s. Dodd, like Robert Besanko, is inspired by the magic of everyday life and with how to depict this otherworldliness in black-and-white photography. In addition, Dodd’s practice has a relationship to the work of New Zealand photographer Peter Peryer, who is also able to make the ordinary unusual in a subtle and poetic way.

mirbeau:

Ian Dodd has described his work as ‘exploring the magic and the real, the human, erotic and eccentric’. He is a Sydney-based photographer whose work has become iconic, especially ‘Wet hair’, which has been reproduced extensively and was regarded as one of the most important images of Australian photography from the 1970s. Dodd, like Robert Besanko, is inspired by the magic of everyday life and with how to depict this otherworldliness in black-and-white photography. In addition, Dodd’s practice has a relationship to the work of New Zealand photographer Peter Peryer, who is also able to make the ordinary unusual in a subtle and poetic way.

(via vintague)

(via aubreylstallard)